Studio FAQ

In most cases, you're not just booking a room. You're booking the studio, an experienced engineer, and a workflow that is already set up for professional voice recording and audio post. Depending on the job, that can include recording, editing, mixing, remote links, file delivery planning and practical support before the session. Some specialist items, such as Source-Connect Pro, ADR cue prep, filming kit, large uploads or out-of-hours time, are charged separately so costs stay clear and predictable.

Yes. Remote-directed sessions are a normal part of how we work. We regularly run sessions with producers, directors and clients listening in from elsewhere, and we'll help you choose the most sensible setup for the job so the session still feels smooth and connected.

Yes. We support Source-Connect Pro, Zoom, Google Meet, Microsoft Teams, Skype, Squadcast and other common remote workflows. All of our studios have booth webcams, and for the best quality we can send audio directly from our mixing consoles into your chosen platform. Some platforms are easier for us to provide links for than others, so it's best to confirm that when booking.

That depends on the kind of record. Studio 1 suits sessions needing full step-free access, with space for up to 8 plus engineer in the control room and 3 in the booth. Studio 2 works well for up to 6 plus engineer in the control room and around 5 or 6 in the booth. Studio 3 is one of the most flexible larger voice rooms, with space for 9 plus engineer in the control room and up to 7 or 8 in the booth at a push. Studio 5 is a good fit for smaller sessions, with 4 plus engineer in the control room and around 4 or 5 in the booth. Studio 6 is ideal for compact records, with 4 plus engineer in the control room and 2 in the booth. Our TV studio can accommodate up to 5 on mic and has plenty of space for attendees around the session. For single-voice records, ADR, ensemble dialogue, podcasts and filmed interviews, we're always happy to recommend the best room.

We handle a wide range of spoken-word and dialogue work, including voiceover, ADR, animation dialogue, games dialogue, podcast recording, radio programmes, commercials, narration, dubbing, editing, mixing and wider audio post.

Yes. We can tailor turnaround to the project, and we frequently turn around selects, edits and broadcast-ready masters on the same day when schedules allow. We always prefer to confirm turnaround against the actual brief and studio availability, but the overall aim is simple: fast, accurate delivery without fuss.

As much useful information as you can send in advance. That usually means session length, who is attending, whether anyone is joining remotely, project title, scripts, technical requirements, delivery requirements, and any audio or picture reference files. For sessions to picture, it also helps to send files early and follow the relevant video specs so nothing delays the start of the session.